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George Enescu, violin art titan



"The history begings all over there, in the Moldave plain..."



The native house of George Enescu from Liveni (now Botoşani
county) where he was born on 19th of August 1881


With his parents, Costache and Maria Enescu. From their eight
children, he is the last born and at the same time the only one alive



One of little George's drawings


Enescu at 5 years old


"Hora Sinaia", one of is first compositions (1887)


Peasant hora (round) at Caracalia, one of Enescu's
childhood villages, where he often had the occasion to listen
to sons performed by the fiddlers as well as popular songs



At 8 years, a Conservatoire student

 
Richard Wagner


Johannes Brahms


Robert Fuchs



Finishing his studies at the Paris Conservatory, he obtains "Premiere Prix de violin " (August 2, 1899)


The young musician becomes member of the French Composers Society (April 10, 1902)



Manuscript page of the symphonic suite Romanian Poem (1897), played in premiere in Paris (1899)








With Pablo Casals and the professional singer Marie Gai
(Bordeaux, 1904)


George Enescu at 25 years old



A group of talented coleagues, whom George Enescu had a closed friendship with:

Maurice Ravel



Jacques Thibaud





Florent Schmitt





Alfred Cortot




1946 autograph, with the 3rd Symphony debut (1919-1921)




Guest composer-conductors at Carnegie Hall, New York
in 1936, with Igor Stravinsky and Carlos Chavez






His violin and wand virtuoso tours took Enescu to lots
of countries. He played many times in the States,
where he was always welcomed enthusiastically by the public
and the music professionals. The Philadelphia Symphonic orchestra offered him an autographed picture of its members (1923).
Leading them and The New York orchestra too, he plays later (february 1939) two concerts of Romanian music, those programs containing his countrymen's works, he adds the premiere of the
 3rd Suite for orchestra.
"Let's thank heavens for this god of music... George Enescu.
Let's thank Romania for sending him to brighten our lives"
(The President of "The Bohemians" society, New York, 1947)


Enescu and his disciple, the violin player Yehudi Menuhin, 1931



In 1954, a short time before the Master's passing away



The first and the last page of the Oedip manuscript (1920-1932)



The Paris Opera, where the opening of "Oedip" took place (Friday 13 march 1936)







Leading at the Romanian Atheneum, Bucharest (1945)


"There are few who - among the great orchestra leaders
in the world - are gifted with Enescu's great feel,
with his unique sense of instrumental balance and his great
skill to clear even the most complex compositions that he read
like a regular book. He was always leading by heart,
not just to show the audience his perfect knowledge
of the piece, but to be able to identify himself with
the composer, to feel during the play the same emotions
felt by the composer during the creation. Enescu had an
unique power of suggestion over the orchestra, that he ruled
over with strength and authority, suggesting them
all his artistic intentions. His interpretations had a strong personality touch, by the deep respect for the composer's ideas,
for the opus authentic style. Enescu's composure had all the sobriety, impetuosity or the kindness needed; no exaggeration,
no useless gesture did not disturb the perfect harmony o
f his composure." Alfred Alessandrescu



The eminent teacher Enescu, at the performing classes, 1947


Three of the 20th century violin art titans:
Fritz Kreisler, George Enescu, Jacques Thibaud (1949)


George Enescu in 1950
"All that remains of my force and energy, I devote to my musical creations, by which I intended to serve our Romanian nation”



Enescu on his death bed. "To go from my native village
in large city where my road end, I took a dusty path,
bordered with trees that go, go towards the infinite.
It was long, undoubtedly, this road.
How short it appeared to me..."


The tree alley from Tescani, "the path bordered with
trees that go, go to the infinite...", an image that
George Enescu kept alive in his soul until his last moments.


Last Wishes, written in Tescani, 1946
"...I wish to be buried in tescani, Bacău, close to my wife."








 




















MAGDALENA RĂDULESCU - the creator of Romanian Mona Lisa

Magdalena Rădulescu
 

“What is important for me is to have a place in the space, as small and humble, where I can paint”, Magdalena Rădulescu.


"Romanian Mona Lisa"
oil on canvas, signed below in brown on the right side, dated 1946, 81.5x64 cm
 Dr. Nour collection
"Painting is music. A carnival music you listen to, and you assume it is performed in the fairytales with ladies or in the Eastern stories, a pagan and at the same time sensual music”, Magdalena Rădulescu.

"Imperial wedding"
oil on canvas, gned below in black on the right side, 42x81
Dr. Nour collection

"Clowns"
oil on canvas, signed below in black, on the right side, 50x61 cm
Dr. Nour collection

"Dance"
oil on canvas, signed below in brown on the right side, 91x56.5 cm
Dr. Nour Collection


"King Oedip"
oil on metal, signed below on the right side, 56x86.5 cm, with a handwritten mention on the reverse
"King Oedip with George Vraca and Marioara Voiculescu -
the metal is part of the ruins of the National Theatre done by Magdalena Rădulescu"
Dr. Nour Collection

"Leaves of story"
oil on canvas, signed below in brown on the right side 24.5x33 cm
Dr. Nour collection

"Rider"
mixed technique, signed below in black on the left side, dated 1974, 42.5x35 cm
Dr. Nour collection

“At the age of seven I was painting the portraits of some Hun little girls, later on, I had painted the landscapes of Balchik, now I don’t paint landscapes anymore, but in my visions, the Eastern elements keep coming back again”, Magdalena Rădulescu.

"Hun girls"
oil on cartoon, signe below in black on the right side 31.5x25
Dr. Nour collection

Drawing

Drawing

Drawing

Drawing

Drawing


Drawing

Drawing

Drawing

Drawing

Drawing

Drawing

Drawing

Drawing

Drawing

Drawing

Drawing

Drawing
”It irresistibly attracts me all that is pompous, decorated, I like the soldiers, the parades, the fanfares…I am like a child when I see them. The fair remains my greatest passion, the fair-grounds, the places with many spotted people. I like the precious stones because they have magic virtues”, Magdalena Rădulescu.

"Dance"
oil on canvas, signed at the left side in grey 33x52cm
Dr. Nour collection

"Horses in the wood"
oil on canvas, signed below in black on the right side, 46x61 cm
Dr.  Nour collection

"Dance"
oil on cartoon, signe don the right side in black, 48.5x64 cm
Dr. Nour collection

"Dance"
mixed techinique, signed on the right side by scraych, 41x54 cm
Dr. Nour collection
"The cavalcade"
mixed technique, signed ont he right side in brown, 30x45 cm
Dr. Nour collection
“I had just moved to Nice. My only wealth at that time, was no less than ten paintings, who nobody cared about, and very little money…the money finished after a few days, when I had to pay the hotel. I needed a place to live, to draw. With the help of a Romanian –a gardener-I had managed to get one: a garden, property of this man, a very beautiful garden, close to the Roman Arena. A castle could be seen behind. A huge southerner castle, in due form, huge, luxurious, ranked, mysterious, castle of the Coconato counts, occupied only by the warders, a man with wild moustache and his wife. These kind people offered me a room in the castle. A huge empty room, in which the only furniture was a huge mirror. The walls were empty, I decorated them with swords and armours taken from the other rooms. At night, so I can have a little light (I used to work at night too, I used to work a lot), I put twelve lightened candles on the floor. In the air stream that crossed the castle, the flames were bowing, the tapestries that were hanged on the walls of the near rooms were moving and were making a silent noise, like step echoes. I had lived there for a year and a half. I had painted, I think, hundreds of paintings, which I opened an exhibition with, at the Muratore Gallery in Nice, afterwards in Vence. It was a success, I started gaining. I had populated the Coconato castle, for one a half year I lived in it, with all the images and the dreams that were still in me and that returned now, with a force, with a terrible clearness”, Magdalena Rădulescu.
"Dance"
mixed technique, signed below on the right side with an inscription, dated 1975, 28.5x20 cm
Dr. Nour collection

"Round dance"
oil on canvas, singed below on white on the right side, dated 1974, 46.5x55
Dr. Nour collection

 
"Dancer"
crayons, signed below in pencil ont he right side, dated 1957, 23x15 cm
Dr. Nour collection

"Allegoric characters"
mixed technique, signed below in paste on the right side, dated 1969
Dr. Nour collection
“Now I am situated on the path I was trying to realize for a long time and I think I did it, namely to directly provide the image, in a very short time and with a great rapidity without deceiving in the drawing or in the color. When I was a student at Grande Chaumiere, I made copies at the Louvre Museum, after a Velasquez infant, a little painting of Giovanni Bellini…And I had worked six months for this painting. And I am thinking, if I had to make them today, I would make them in three days. You see, this is the difference I was talking about”,   Magdalena Rădulescu, from an interview given to the critic Paul Dudea in 1975
"The grooms table"
mixed technique, signed on the right side in brown, 50x69 cm
Dr. Nour collection

"Mauritanian"
oil on canvas, signed below in black on the right side, 46x38 cm
Dr. Nour collection

"The bride (Elena Neamtu's portrait)
oil on canvas, signed below on brown on the right side, dated 1943, 73x62 cm
Dr. Nour collection


"Woman portrait"
oil on canvas, signed below on the black side, 60x49 cm
Dr. Nour collection

"Potrait"
mixed technique, signed on the right side in black, 41x30 cm
Dr. Nour collection

"Potrait"
oil on leather, sighed below on left side in black, 27x22 cm
Dr. Nour collection

"Marioara Voiculescu's potrait"
mixed technique, signed below in brown on the left side, 71.5x60 cm
Dr. Nour collection
 
"Virgin Mary with Jesus"
oil on plywood, signed below in black on the right side, dated 1976 on reverse by the artist, 25x18 cm
Dr. Nour collection
              In her last years of life she painted little. She succeeds to organize a couple of personal exhibitions in Paris and Bucharest, and she realizes many graphical works, included in the books with a succession of works, some of them accompanied by her texts.


"Petre Oprea's portrait"
coal and ceracolor on paper, signed below on the right side, dated June 16th 1957, 26x22 cm
Reproduction on the Petre Oprea cover book "Contact with art", Bucharest 1994
Petre Oprea collection


Reproduction on the Petre Oprea cover book "Contact with art", Bucharest 1994
Petre Oprea collection

"Saint" (Petre Oprea's portrait)
coal on paper, signed Magdalena below on the right side, dated and situated on June 18th 1957, Sinaia, 22x15 cm
Reproduction on Petre Oprea cover book "The Journal of a first museograph (1961-1966)", Bucharest 2000
Petre Oprea collection


“Now I do literature too. I make little books in which I relate the lives of the artists from the Montparnasse age where I had lived for 10 years and where I had met many painters that became famous… I write these stories the way I perceive them and I illustrate them in the same time with the stories from then in water colors… I have an extraordinary memory and I remember them all as I would see a colored movie”, Magdalena Rădulescu, from an interview given to the critic Paul Dudea in 1975.

Magdalena Rădulescu

            Life elapses between the creating activity and a sort of monotony and isolation- which although meant a big creative victory and provided her independence, now manages to sadden her.

Magdalena Rădulescu and her paints




Magdalena Rădulescu and her niece
“I am terribly lonely… I came back from Romania for a couple of days and I wish to go back. I want to die there”, the artist confessed to the writer Florin Colonas whom she accidentally met in Paris in 1982. One year later, on March 3rd, 1983, the artist passes away in the capital of France, her ashes being brought to Romania.

Magdalena Rădulescu